| Sensor |
Super35mm type CMOS |
| System |
RGB primary colour filter (Bayer array) |
| Total pixels per sensor |
9.84 megapixels |
| Effective pixels per sensor |
Approx. 8.85 megapixels when 4096 x 2160/2048 x 1080 resolution selectedApprox.8.29 megapixels when 3840 x 2160 or 1920 x 1080 resolution selected |
| Dynamic Range |
During normal shooting: 300%With Canon Log gamma: 800%
With Canon Log2 Gamma 1600%
(ISO 850 or above/gain 2.5 dB or more) |
| Horizontal Resolution |
Up to 1800 TV lines or more depends 0n shooting resolution and on lens used. |
| Lens |
| Lens Mount |
Canon EF Mount. EF with Cinema Lock or PL mount available (optional upgrade) |
| Focal length adjustment |
3840 x 2160 or 1920 x 1080 resolution: Actual focal length x approx. 1.53 4096 x 2160 or 2048 x 1080 resolution: Actual focal length x approx. 1.46
As indicated for EF-S lenses and Canon cine zoom lenses |
| Peripheral illumination correction |
YES (dependent on lens used) |
| ND filter |
6 glass filters in camera body: 2 stops; 4 stops; 6 stops,8 stops,10 stops¹. Operate via body, wireless control or via RC-V100 Remote Control Unit. |
| Focus control |
Via lens, wireless control or wired remote (dependent on lens used) One shot AF with EF Lensesincluding Cine Servo lens range².
(Not available with Manual Focus, CINEMA Zoom or Prime lenses). |
| Iris control |
Via body, grip, wireless control or wired remote. Push AI available with EF lens (Not available with CINEMA lenses) 1/2-stop, 1/3-stop or FINE control.
Possible to maintain constant F-number during zoom. |
| Image stabilization system |
Depends on lens used |
| Image Processor |
| Type |
Dual DIGIC DV5 |
|
Recording
|
| Video storage media |
CFast 2.0™ and SD card supported. Simultaneous Recording to CFast2.0 and External Device possible |
| Recording time |
Depending on card used and resolution/ bit rate selected |
| Recording file format |
XF-AVC (Material eXchange Format (MXF)) |
| Recording Standard |
Video Compression: MPEG-4 AVC/H.264Audio Recording: Linear PCM (16bit/24bit- 48kHz – 4ch)
File Format: XF-AVC (MXF)
Bit rate: Intra 410/225/220/110Mbps, LongGOP 50Mbps
Long GOP: 35 or 24 Mbps (for proxy recording on SD cards) |
| Recording format CFast 2.0™ Card |
Intraframe recordingResolution: 4096×2160/3840×2160/2048×1080/1920×1080 Signal configuration: YCC422 10bit/(*)RGB444 (12bit/10bit)
(*) Only with 2048×1080 or 1920×1080; 29.97P, 23.98P, 25.00P and 24.00P
Long GOP recording
Resolution: 2048×1080/1920×1080
Signal configuration: YCC422 10bit |
| Recording format SD Card |
Movies: Long GOP recording only (*) Resolution: 2048×1080/1920×1080
Signal configuration: YCC420 8bit Photo: JPEG
Resolution: 2048×1080/1920×1080
(*) Proxy recording using low bit rate |
| Recording frame rate |
59.94 Hz: 59.94i/59.94P/29.97P/23.98P (Depending on resolution selected)50.00Hz: 50.00i/50.00P/25.00P (Depending on resolution selected
24.Hz: 24.00P |
| Slow/Fast motion |
59.94Hz:59.94P2K (2048×1080/1920×1080) 1 to 60 FPS
2K CROP (*1)(2048×1080/1920×1080) max 120 FPS
29.97P
4K (4096×2160/3840×2160) 1 – 30 FPS
2K (2048×1080/1920×1080) max 60 FPS**
2K CROP * (2048×1080/1920×1080) max 120 FPS **
23.98P
4K (4096×2160/3840×2160 max 30 FPS
2K (2048×1080/1920×1080) max 120 FPS **
2K CROP * (2048×1080/1920×1080) max 120 FPS**
50.00Hz
50.00P
2K (2048×1080/1920×1080) 1 – 50 FPS
2K CROP * (2048×1080/1920×1080) max 100FPS **
25.00P
4K (4096×2160/3840×2160) 1 – 25 FPS
2K (2048×1080/1920×1080) max 50 FPS **
2K CROP * (2048×1080/1920×1080) max 100FPScz**
24.00Hz
4K (4096×2160/3840×2160) max 30 FPS
2K (2048×1080/1920×1080) max 60 FPS**
2K CROP * (2048×1080/1920×1080) max 100FPS** |
| Interval Record |
Yes |
| Frame Record |
YES |
| Pre Record (cache record) |
Yes |
| Relay Recording |
YES |
| Double Slot (simultaneous) Recording |
YES |
| Scan Reverse |
YES: Both / Vertical/ Horizontal /Off |
| HD->SD conversion |
NO |
| Internal Data Transfer |
YES. Clips can be copied from CFast2.0 to CFast2.0 card internally in Media Mode. |
| Photo storage media |
SD Card |
| Still quality |
2048 x 1080/1920 x 1080 |
|
System
|
| LCD |
| Size |
4” (10.1 cm diagonal) color wide-screen LCD with 16:9 aspect ratio |
| Dots |
Approx. 1.23 million dots (854 x RGB x 480), 100% field of viewcoverage |
| Image quality adjustments |
Super High, High or Normal can be selected as the luminance adjustment. Others aresame as for the viewfinder. |
| Adjustable |
YES |
| Waveform Monitor |
YES |
| Focus Assist |
YES |
| Peaking |
YES |
| Zebra |
YES |
| Markers |
YES |
| EVF |
| Size |
0.46” (1.18 cm on the diagonal), color organic EL display with a wide-screen 16:9 aspect ratio |
| Type |
Organic LED |
| Dots |
Approx. 1770,000 dots (1024 x RGB x 576) |
| Image quality adjustments |
Adjustment of the viewfinder brightness, contrast, color, sharpness and luminanceboosting (on/off) can be performed (using menu settings). |
| Adjustable |
YES |
| Correction lens |
+2.0 to -5.5 diopter |
| Inputs/Outputs |
| Audio in |
YES: 2x XLR input on monitor unit, 3.5mm input on Camera Body |
| Headphone output |
YES Output impedance 50Ω or less, Reference signal output level 50Ω or lessReference signal output level -∞ to -12 dBV (with 16Ω load, volume from MIN to MAX) |
| Video/Audio output |
MON., REC OUT terminals: BNC Jack Video[HD]: SMPTE 292, SMPTE 274 [3G]: SMPTE 424, SMPTE 425
Audio[HD]: SMPTE ST 299-1 [3G]: SMPTE ST 299-2
Output impedance 75Ω, Output signal level 0.8Vp-p |
| HDMI |
HDMI terminal (type A) Complies with HDMI specifications. Video/Audio output |
| IEEE 1394 (Firewire) |
NO |
| USB |
NO |
| Time code |
BNC jack (input/output) |
| Genlock |
BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10KΩ |
| Synch |
BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10KΩ |
| LCD Monitor Input/Output |
VIDEO terminal Canon’s proprietary specifications (special 13-pin jack)AUDIO terminal Canon’s proprietary specifications (special 13-pin jack) |
| Component out |
NO |
| AV terminal |
NO |
| DC input |
YES |
| Remote Control Terminal |
2.5mm mini jack |
| Wireless Control Terminal |
Via optional Wi-Fi adaptor |
| Colour Bars |
EBU, SMPTE, ARIB |
| Misc |
| Tally lamp |
YES |
| Accessory shoe |
YES (cold shoe, 3 locations: top of body, top of handle, front of handle) |
|
Shooting functions
|
| Exposure |
| Exposure Control and Metering |
Manual, Push Auto Iris, Auto Iris (with compatible lenses). Metering Options (a) Standard (center-weighted metering),(b) Spotlight,(c) Backlight compensation |
| Exposure compensation |
0.25 increments from ±0 to ±2.0. |
| Push Auto Iris |
YES (EF and EF-S lenses. Not available with EF Cinema Lenses.) |
| Exposure Lock |
Via Push AI Function |
| Auto Gain Control setting |
YES |
| ISO Sensitivity |
1 Stop increments: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200, 102400][—] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.
1/3 stop increments:[100, 125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500,
3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600,
[32000, 40000, 51200, 64000, 80000, 102400] |
| Gain setting |
Normal: [-6dB, -3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB,30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB 54dB] [—] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.
Fine: Any value from -2dB to 24dB in 0.5dB increments can be set. |
| Shutter speed |
| Control Modes |
Off, Speed, Angle, Clear Scan, Slow |
| Shutter speed |
59.94 HzOff: 59.94(i/P) : 1/60/29.98P: 1/30 24.00P 1/24
Speed: 1/1 – 1/2000
Clear Scan: 59.94 Hz mode: 23.98 Hz (lowest) to 250.37 Hz 24.00 Hz mode: 24.00 Hz (lowest) to 250.37 Hz
Note: The frequency will differ depending on the frame rate setting.
Slow: 59.94(i/P) 1/4, 1/8, 1/15, 1/30; 29.98P 1/4, 1/8, 1/15: 24.00P 1/3, 1/6, 1/12
50.00Hz
Off: 50.00(i/P) 1/50; 25.00P 1/25
Speed:1/1 – 1/2000
Clear Scan: 24.00 Hz (lowest) to 250.40 Hz Note: The frequency will differ depending on the frame rate setting.
Slow: 50.00(i/P) 1/3, 1/6, 1/12, 1/25; 25.00P 1/3, 1/6, 1/12 |
| Shutter Angle |
59.94Hz/50.00Hz: 360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25 |
| Focus Systems |
| AF Options |
Dependent on the interchangeable lens used and User Selected Mode. Dual Pixel CMOS AF (CMOS AF), Contrast AF |
| AF Modes |
One-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these modes take effect when the AF/MF switch of the EF lens is at the AF setting |
| Face Detection AF |
Yes; Face Priority or Face Only |
| Dual Pixel CMOS AF |
Yes. Compatible with all EF Mount Lenses (Except Manual Focus Only models) |
|
|
| Custom Picture |
| Stored Configurations |
7 presets: Canon Log 2 : C.Gamut (Cinema Gamut) Canon Log 2 : BT.2020/Canon Log 2 : DCI-P3
Canon Log 2 : BT.709
Canon Log: BT.2020 Gamut BT.709 |
| Storage Medium |
Internal or SD card |
| Gamma Setting Options |
Canon Log 2/Canon Log/Wide DR/EOS Std.Normal 1 (STANDARD)/Normal 2 (4.0x)/Normal 3 (BT.709)Normal 4 (5.0x) |
| Colour Space Settings |
Cinema Gamut/BT.2020 Gamut/DCI-P3 Gamut/BT.709 Gamut |
| Colour Matrix Settings |
Neutral/Production Camera/Cinema EOS Original/Video/EOS Std./OFF |
| Customisable and protected settings |
YES |
| Black Gamma |
YES |
| Low Key Saturation |
YES |
| Knee |
YES |
| Sharpness |
YES |
| Noise reduction |
YES |
| Skin detail |
YES |
| Selective Noise Reduction |
YES |
| Colour matrix |
YES |
| White balance |
YES |
| Colour correction |
YES |
| Setup level |
YES |
| Press |
YES |
| Clip 100% IRE |
YES |
| White balance |
| Auto |
YES |
| Kelvin Range |
2000K to 15000K, 100K intervals, Default 5500K |
| Preset |
Daylight/Tungsten |
| White Balance Shift |
Yes, -9 to +9 (Daylight or Tungsten Preset selected) |
| Black balance |
| Black balance adjustment |
YES |
| Time code |
| Countup system |
Regen, RecRun, FreeRun, External, Hold (Drop frame available for NTSC Mode) |
| Start value setting |
“00:00:00:00”, Set/Reset selectable |
| Audio |
| Recording |
16-bit 2ch (48 kHz) linear PCM |
| Control |
Independent limiters and auto/manual settings |
| Microphone attenuation |
YES |
| Microphone level meter |
YES |
|
Accessories
|
| Supplied |
Monitor Unit, Handle Unit, Thumbrest, WFT Attachment, Tripod Adaptor Base, Eye Cup, CVF Cap, Shoulder StrapBattery Charger CG-10, AC Adaptor CA-A10, AC Cable, Battery Pack BP-A30, hex wrench, hexagon screw set,
UN-5 Cable (X2)Lithium battery CR2025, Bracket |
| Optional (includes discontinued items) |
Canon Battery Pack BP-A30 (included with EOS C300 Mark II)/BP-A60Canon AC adapter CA-A10
Canon Battery Charger CG-A10
Canon Remote Controller RC-V100
Canon shoulder strap SS-1200 (provided with the EOS C300 Mark II)
Canon Tripod Adapter TA-100
Canon Tripod base TB-1
Canon Shooting Brace SBR-1000
Canon Wireless transmitter WFT-E6
Canon GPS Receiver GP-E1
Canon unit cable UN-5 (provided)/UN-10 (purchased separately)
Canon microphone adapter MA-400 (optional accessory)
Canon rod clamp RD-1 (purchased separately) |
| Battery |
| Battery Type |
BP-A30 (included),BP-A60 (optional) |
| Input Power Supply |
14.4 V DC (battery pack), 16.7 V DC (DC IN) |
|
Miscellaneous
|
| Dimensions |
Approx. 149 x 183 x 183 mm (5.9 x 7.2 x 7.2 in) [EOS C300 Mark II + thumb rest]Approx. 190 x 183 x 187 mm (7.5 x 7.2 x 7.4 in) [EOS C300 Mark II + grip]
Approx. 190 x 265 x 226 mm (7.5 x 10.4 x 8.9 in)
[EOS C300 Mark II +grip+bracket+handle unit]
Approx. 190 x 307 x 362 mm (7.5 x 12.1 x 12.8 in)
[EOS C300 Mark II+grip+bracket+handle unit+monitor unit] |
| Detachable handle |
YES |
| Operating Temperature range |
Approx. 0°C to 40°C, 85% (relative humidity)Approx. -5°C to 45°C, 60% (relative humidity) |
|
|
| Disclaimers |
|
|
|
| All specifications are subject to change without notice |
|
| ¹8 and 10 Stop ND selected via expansion option in menu |
|
| ²CN7 x 17 KAS S/E1 or P1 depending on mount |
|
| Focus, Zoom and Iris via lens drive unit. |
|
| Functions above control via RC-V100 on EF mount only |
|
| Canon is an authorised licensee of the CFast 2.0™ trademark, which may be registered in various jurisdictions |
|
C’est officiel depuis quelques minutes, la C300 MkII est annoncée à quelques jours de l’ouverture du NAB, curieuse tendance cette année alors que la plupart des constructeurs nous font saliver jusqu’a là dernière minute et l’ouverture du fameux salon à Las Vegas. Canon après avoir levé le voile sur un curieux bidule 4K doté d’un capteur 1pouces présente donc la relève de la C300.
